chiffres de la délinquance depuis 1980

Ah? And then I'll meet with Don Barzini -- and. [The Don, markedly upset and angry, gestures that they leave him alone. CUT TO: Clemenza's Cellar. Clean it up, I said -- clean it. Yeah, sure, I do. Governor - Corleone, or something... Well -- this wasn't enough time, Michael. Michael and Apollonia are walking and talking. Tessio greets them. Ya'know, if we go to my father's house --. Good -- try the veal -- it's the best in the city. You don't even think to call me Godfather. Well neither can they! Eh gosh -- imagine the nerve of the sonofabitch. Tom, I want you to find Santino. This is almost 1946 --. Jodie Foster . As a public health precaution due to COVID-19, all Smithsonian museums and the National Zoo are temporarily closed to the public. In my city, we would keep the traffic in the dark people -- the colored. Apollonia, laughing, is trying to drive the, car almost hitting the short walls. Pete: they got an old-fashion' toilet -- you know, the box, and - and -. action, we risk everything we have -- I mean not now, but ah ten years from now. Michael goes and kisses her. The Don screams Uh!, falls over, the assassins run, and the Don falls to the curb], FREDO (gets out of the car, fumbling with the gun, then sits on the curb crying), CUT TO: Michael and Kay walking outside of Radio City Music Hall, which is showing, Leo McCarey's "The Bells of St. Mary's" which Michael and Kay just saw. this -- Hollywood bigshot's gonna give you what you want. Connie and Carlo want you to be Godfather to their little boy. Now -- he needs cash, and he needs, protection from the police, for which he gives a piece of the action -- I couldn't find out how, much. All the Five Families would come after you, Sonny. A car drops him off at the gate, and he, goes inside, seeing family and friends. Michael, notices the sign that says "To New Jersey"], [Sollozzo's car does a high-speed U-turn, cutting off cars who sound their horns, as, Sollozzo's driver crosses over the road's divider into the other direction across the bridge], [Later, the car pulls up to Louis' Italian-American Restaurant. Kay turns her head to watch, them. very good with a knife, but only in matters of business or some sort of reasonable complaint. Alright? I don't want. your top stars has just moved from ah marijuana to heroin... Now listen to me, you smooth-talking son-of-a-bitch! You lousy bastard -- you killed my husband! He's supposed to be. VITELLI (introducing Apollonia to Michael), E guesta mia figlia, Apollonia -- e guesto Michele Corleone [this is my daughter, Apollonia -- MICHAEL (who is now seated behind the desk), There are things being negotiated now that are gonna solve all your problems and answer all. -day. Put your hand in your pocket like you have a gun. Now you stand, [The Don turns away and puts the piece of orange over his teeth. CUT TO: Connie's Wedding reception. He sounds American...]. The Don gestures to Sonny to give Bonasera a drink], [Bonasera, taking the drink, sips from the shot glass], I -- I went to the police, like a good American. [A black sedan pulls up to the front of the hospital. One of the girls, Apollonia, is startled when she, sees Michael. Michael walks over to it], [Michael helps Tommasino out of the car as Apollonia runs over and kisses him], [In Italian: Michael is teaching me to drive -- watch, I'll show you], [Tommasino smiles at her, as she runs back to the car], [In Italian: Young people don't respect anything anymore. And then they would fear you. His hands are shaking. Some of the other families won't sit still for all-out war! Beginners (2011) 2011 . Barzini walking, stepping out a cigarette. In that little silk purse. The traffic in drugs will be permitted, but controlled -- and Don. You look beautiful! CLEMENZA (after being pushed up against the wall), Jesus Christ; take it easy -- take it easy. This fat slob's still bettin' the Yankees pretty heavy? Don't forget, DISSOLVE TO: The Don's tomato garden. Not a hint. You're gonna have some union problems; my client could make then disappear. So now it's up to you to make the peace between me and Sonny. I'll show you something, come here. He didn't expect to be invited to the wedding, so he wanted to thank you. But you gotta keep an open mind, when we talk. What the hell are you doing here? Tessio's ground, where I'll be "safe". They're licensed to carry firearms. Family business, so don't tell me you're innocent, Carlo. When we make our move there, you're gonna be my right-, Tom Hagen's no longer Consiglieri -- He's gonna be our lawyer in Vegas. with respect. jgeoff@jgeoff.com Many thanks to Antonio I, want you to move to a villa near Siracusa, right now -- Subita, eh? We don't know yet. But you're not like him, Michael. it's not the way I wanted things to go at all. the Don, rest in peace, was -- slippin'. He inaudibly asks Kay who it is, but she doesn't. Did he - ah - tell you to drop the gun right away? The ceremony continues. Clean it up, you guinea spoiled brat! Men are coming here to kill him. Now what about Luca? COPYRIGHT (C)1972 Paramount Pictures. How'd he do that? -day, DISSOLVE TO: Las Vegas hotel. Huh? CUT TO: Woltz' dinner table -early evening. [gestures]. No -- I want you to take her to her father's house til I know things are safe... CUT TO: Villa kitchen. -day, I'm a little worried about this Sollozzo fella. Thank you. CUT TO: Tom looking for Sonny inside the house, [Sonny and Lucy are going at it, standing against a door in an upstairs bedroom. Hey, a hundred button men on the street twenty-four hours a day; that Turk, (then, to Michael, whose face is bruised from McCluskey's punch). Barzini's car is parked. (then, as we hear clinking glasses coming from outside, which continues). Two terms. They watch as mourners place, single red roses on top. Even he knows that. orphan before he's born or what? 8 votes. NOT TO BE REPOSTED ON ANY OTHER SITE. Then he begins to exit], CUT TO: Bonasera, frightened, waiting by an elevator at his funeral parlor -night, This is Tom Hagen. He rises, and quickly shoots Sollozzo in the head. CUT TO: Later, Tom and Woltz walking around Woltz' estate. Just help me win, please, alright? TESSIO (as he sees a third buttonman step up). Whattsa matter with you? Aw now that -- that was nothin', Mike. If your car could take me to the. CUT TO: The Don's kitchen. The Godfather Theme. CUT TO: A photographer takes Barzini's picture. But this, uh -- this man out there. No more! Tom -- can you get me off the hook? Hey, Mickey, tomorrow -- get a couple of guys, you go over to Luca's apartment; hang, Uh maybe we shouldn't get Mike uh mixed up in this too directly. Sit down, Johnny -- I want to talk to you. I hope we can straighten everything out. Moe loves the business -- he never said nothin' to me. Sollozzo, I have a sentimental weakness for my children, and I spoil them as you can see; they talk, when they should listen. That's your husband! It's been two years; he's probably in trouble again. and Enzo, as Michael undoes a button of his coat and puts his hand in, as if he had a gun. We'll need'em now. Oh, Michael, wait a minute; he's coming over here... My brother, Tom Hagen -- this is Kay Adams. (then, continues after breathing on baby three times), (then, after Michael and Kay untie the baby's bonnet). Calo sits at the table, eating, as Michael enters -day, [In Italian: She's going to surprise you -- she wants to drive. It's not personal, Sonny. Now we're gonna have to give him a day sometime next week. Clemenza walks past Michael, shakes, [Tessio walks past Don Vito as he exits. Trust me. (background), CUT TO: The Corleone main gate. Piano, The (1993) 1993 . (then, starting over, which continues throughout the following dialogue). I hear cars coming to the house. I promise. It will be me -- McCluskey -- and Sollozzo. The Don goes out to meet and hug, Johnny, and they, and other guests, toast. Andiamo, Fredo. CUT TO: Church. The Godfather Waltz. Transcribed by J Geoff Malta for www.jgeoff.com/godfather.html Perhaps the most notable example of siciliana style in the 20th century inhabits the "Intrada" and "Rhapsody" from Gerald Finzi's exquisite cantata, Dies Natalis. It's a Sicilian message. CUT TO: Lucy Mancini's apartment building (New York City). The bride and the groom and the angel... Not to our paisan. Moving men load a truck labeled "John J. Bartek, Moving." The phone rings, and. Hey, come on over here with me; I wanna show you something really beautiful. Well, when Johnny was first starting out, he was signed to this personal service contract; with a big band leader. I'm sorry, Pa -- he doesn't know you yet. The Godfather Waltz. Do you know how they're gonna come at'cha? They're gonna search me when I first meet them, right, so I can't have a weapon on me then. I can't remember the last time that you invited me to your house for a cup of, coffee, even though my wife is godmother to your only child. Now your new son-in-law; give him something important? Well, look at this. Maybe I will! Tom -- can you get me off the hook? Please? Want to know how. Is that why you slapped my brother around in public? VITO CORLEONE (sitting next to Tom on the couch), Tom -- I advise Michael. You, think you can come to my hotel and take over? They interfered with hospital service. 12 Étude Opus 10 No. Nobody knows where he is. Sonny runs out to his car. Stand'im up straight. No chance. But I'm a superstitious man -- and, if some unlucky accident should befall him -- if he should get shot in the head by a police, officer -- or if he -- should hang himself in his jail cell -- or if he's struck by a bolt of, lightning -- then I'm going to blame some of the people in this room. ], [Fabrizio dons his lupara before going in to get Vitelli. -night, [there's a loud crash heard OS from outside the house], SANDRA (as the baby, Santino Jr, starts to cry), [Sonny searches for and finds his gun from a drawer], SONNY (to Sandra, at the door, after hearing knocking), There's more news about your old man. Solo Accordion. Tom, this is business and this man is taking it very very. If I had a wartime consiglieri -- a. Sicilian -- I wouldn't be in this shape! He turns toward, Anthony, grunting and holding his arms up like a monster. as he turns away] Come on! A small family place, good food. Why do you think he kept Carlo at the mall? locks it, then shoots four times through the glass. And those two bastard, they smiled at me. Then you fry some, garlic. Okay, that's it. Longer than that, I think. are reasons why you must have no part in what is going to happen. Michael, Tom, Mama, Connie and others are, sitting in chairs in front of the Don's flower-covered casket. to do whatever's necessary to -- find a peaceful solution to these problems... Then we are agreed. Um --Consiglieri Genco -- he's not gonna last out the night. Now you just be patient, Kay -- he'll get in touch with you, alright. I have a special practice; I handle one client -- Now you have my number; I'll wait for your. Fabrizio and Calo look on. Godfather, I have a daughter. 01355 - … Michael responds inaudibly. La stessa storia? Why? CUT TO: Reception continues with Part 2 of Connie's Wedding Song (The Godfather. No -- I buy you out, you don't buy me out --. guys off of here, eh! You just talk to Sonny -- and the other two kids. -day, [Something like, in Italian: What happened to your eye... (more)], [Something like, in Italian: No - no - it's okay... (more)]. Uh -- the hospital called. ...it's a lot of bad blood. Sonny jumps back as though goosed. The Don'll consider this all... Hey, stay out of it, Mickey; do me a favor. I thought you were just some cheap. Yeah, I left it noisy -- that way it scares any pain-in-the-ass innocent bystanders away. Michael arrives by cab. Go back to the house -- wait for my call. He's tired -- he wants to clean up. CUT TO: Michael and Kay arrive, make some introductions. Anybody know this joint? Corleone. -- now you get outta here -- and stay away from this hospital! Clemenza continues to ascend the stairs with his package. Then would you like me better if I were Ingrid Bergman? And what is the interest for the Tattaglia Family? I'll drive to you...], MICHAEL (after seeing Fabrizio hurry through the gate), [The car that Apollonia is in blows up and Michael is thrown into the bushes], ***EXTRA SCENE FROM THE EPIC, TRILOGY & SAGA: Michael, in shock, is lying in, bed as Apollonia's mother wipes his forehead with a washcloth. Is this how you turned out? I'm calling for Vito Corleone, at his request. Go in peace, and may the Lord be with you. Get in the car. A, refusal is not the act of a friend. ...on the wedding day of your daughter... His name is Luca Brasi -- an' he helps my father out sometimes. The one-sided fight continues until Carlo, ends up motionless on his back in the downpour of an open fire hydrant that kids were. OS: Eh Tessio, cosa fai? How did things ever get so far? CUT TO: Sollozzo meeting in Don Corleone's Genco office. [Clemenza and Tom look at each other, realizing Sonny's faux pas. You'll be alright. onto the car. Hey, it's my sister's wedding, (then, he spits after being shown a badge. CUT TO: Sonny's house just after talking to Michael on the phone. for cover! But, anyway, Signor Sollozzo, my no is final, and I wish to, congratulate you on your new business, and I know you'll do very well; and good luck to you. Cicci ascending steps. Senators and presidents don't have men killed... Kay, my father's way of doing things is over -- it's finished. I've tried to make this the most accurate transcript of The Godfather available, [McCluskey punches Michael in the jaw as a Corleone car screeches up. Also, some of the judges. I made my bones when you were, Wait a minute, Moe -- Moe, I got an idea --. Michael and Kay are eating dinner, while "All of My. away. Why do you come to me? Tom goes upstairs, then knocks on the bedroom door], [Tom smiles, and walks away, as Sonny and Lucy continue], CUT TO: A woman singing Italian song, opera-like, on the stage -day, JOHNNY (as Tom quietly enters the Don's office). You should be with Mama, ya'hear? Grazie! I missed my chance. you blow their brains all over your, You're taking this very personal. I want you to find out what he's got under his, fingernails, ya'know. You're not a wartime Consiglieri, Tom. If I wanted to kill you, you'd be dead already, DISSOLVE TO: The Don and Fredo leaving the Genco office -late afternoon, Ah, Aspetta, Fredo; I'm gonna buy some fruit, FREDO (getting into the driver's seat of the car), Ah, hi, Merry Christmas; I wan' some fruit over there. Santino, go tell your brothers that I went them to come with me to visit Genco to pay their. Michael's, sitting at his desk with Neri behind him. And, also the other heads of the Five Families -- New York and New Jersey. Tell Fredo to drive the big car... outside now. Good to see you, Mike... All right -- you got everything you want? McCLUSKEY (while watching Michael enter the bathroom), CUT TO: Inside the restroom, Mike's looking for the gun behind the tank: He can't find it, CUT TO: Table. Michael and his bodyguards drive up to the cafe and sit with, Vitelli, who is jovial, and his family. You spend time with your family? But you never thought about me -- you never gave a damn about me. Give it to a Jew congressman, in another district. You take a long vacation --. ], [In Italian: Michele, wait there! The owner, Vitelli, after, yelling something into the kitchen, welcomes the guests, who are seating themselves at a, [In Italian: You know all the girls around here? The Mazurka music and dancing continue], My godson comes all the way from California...give him a glass of wine, JOHNNY (whispers into the Don's ear that he wants to talk to him). Senator -. -- as best as your interests don't conflict with my interests. [In Italian: "Sing a song"], [the crowd encourages Johnny, and he gives in]. as she and Tattaglia are riddled by bullets while in bed. Neri, dressed in uniform, dumps a bag containing badges and a gun. You understand? I'm not moving until you put some guards around my father's room. The Godfather Theme. Go to the ah Tattaglia's, uh, and ah, make them think that ah you're --. [Outside, a car, sounding its horn, pulls up; Sollozzo goes to talk to them, and. Carlo gets, CUT TO: Interior of car. Why not? And as his career got better and better, he wanted to get out of it. take me to the America, G.I.! Christian Bale . -day, CARLO (watching a man leave the building). -day. The family is outside, congratulating Connie and, CONNIE (to the infant Michael Francis, holding the baby towards Michael), [Michael kisses the baby. Our children... (then, after Kay puts her hands to her face), [Michael beckons toward the car. I'm mean, we're not murderers, despite of what this undertaker says. CUT TO: pan of exterior of Woltz' estate, music is a variation of the Title Theme, then we, see the interior of Woltz' bedroom. His music combines blues, pop, jazz, boogie woogie and rock and roll. (then, after we see Johnny ending the song). They hit'em with five shots, and he's still alive! But don't ever take sides with anyone, CUT TO: Corleone mall. Gunman opens the door, Moe puts glasses on, gets shot in one eye. I spent my life trying not to be careless -- women and children can be. The TRILOGY has, some extra shots leading up to this scene -day, [In Italian: Where have all the men gone?]. Barzini wants to arrange a meeting. Tommasino is at the side of, (then, after Tommasino shakes his head not knowing where Fabrizio is), DISSOLVE TO: Bank building boardroom in New York City. CUT TO: Hotel room. Be careful, you're spilling it -- you're spilling it... (then, after Anthony sprays a tomato plant), Anthony -- com'ere -- com'ere -- com'ere -- com'ere. Oh, ah, that -- when my brother Sonny was a kid, he found Tom Hagen in the street. Now we have the unions, we have the gambling; an' they're the best, things to have. [Luca stands up, facing Mike and Kay, seemingly coming toward them]. Fabrizio opens the door for Tommasino -day, [In Italian: I kiss your hand, Don Tommasino], [In Italian: Michele, Why are you so far from the house? Kay gets out of a cab and a buttonman lets her through the, gate. We see Johnny, Clemenza, and his wife toss roses. The, police protected you; and there were courts of law. It's strictly business. Now, you understand? Includes the missing scenes found in the Epic. -- loose. THE GODFATHER by Mario Puzo and Francis Ford Coppola TRANSCRIPT ... CUT TO: Connie and the Don dance to "The Godfather Waltz (Come Live Your Life With Me)" ***Extra footage from The TRILOGY & SAGA*** ... DISSOLVE TO: piano player's hands with overlaid newspaper photos So they beat her, like an animal. MOE (laughs, and so does Fredo who massages Moe's back). Santino, I can't understand -- I don't know -- I don't understand 'er... SONNY (towards Sandra who's trying to calm the baby), (then, into the phone just before the baby screams), CONNIE'S VOICE (on the phone, barely audible), {Note: This is where Tape One ends on the normal-release videocassette version}, This is for personal educational use only, and is not to be reposted, For your father -- for your father. (then, to Carlo, as Michael shifts in his chair), Come on. Sonny, you gotta talk to the caporegimes, that Tessio and that Fat Clemenza. Mike: you go to the restaurant, you eat, you talk for a while, you relax. I've been back a year. ", Listen, do me a favor, pick him up right now, I don't care how sick he is. Gotta get Sollozzo. Calo sits under a tree. What you have to understand, Sonny, is that while Sollozzo is being, guarded like this, he is invulnerable. Michael is teaching her how to drive. Hah? See -- things are starting to, And I'm ah sending Fredo to uh Las Vegas, under the protection of uh Don Francesco of L.A. [they shake hands, Nazorine turns to leave], NAZORINE (now by the door with Tom Hagen), An' wait til you see the beautiful wedding cake I made for your daughter! My father made him an offer he couldn't refuse. An attendant and a buttonman carry the Don on his stretcher. Three years old, he can read the funny papers, Oh -- well -- eh, I want you to arrange to have a telephone man check all the calls that go in, MICHAEL (reaching over, touching his father). Moe Greene is lying on his stomach getting a massage. Nazorine, the baker, takes a proud bow. your questions. He gets out], SONNY (as he throws a sawed-off broom stick at Carlo). We hear "Sicilian Pastorale." you're not too happy with our family and -- and ah find out what you can. She resisted. Clemenza is seen behind Carlo, in the back seat. CUT TO: Connie and the Don dance to "The Godfather Waltz (Come Live Your Life With Me)", CUT TO: Tom arrives in Hollywood by plane, takes a cab, then walks by foot through Woltz, International Pictures. She was beautiful; she was young, she was innocent. One in Italy, one here. You're not supposed to be here now! Yeah -- over here -- over here. respects. This war stops now. -day, Hey! Save it for the library -- Come on, we got to go pick up my sister -- let's go. I need, Don Corleone, those politicians that you carry in your pocket, like so many, Thirty percent. Yes, Don Barzini -- he's too modest. And a. little bit o' wine. This is an Intermediate song and requires a lot of practice to play well. Let me lay it on the line for you and, your boss, whoever he is. Times are changing for the worse, -- Eh -- This place has become too dangerous for you -- I don't think you're safe here. Then you throw in some tomatoes, tomato paste, you fry it; ya make sure it doesn't, stick. I want, CUT TO: The cake comes out. He said give him a call -- when the party started. That's it, break it all you spoiled guinea brat -- break it all! Clean it up! Don Corleone, I am honored and grateful that you have invited me to your daugh-- ter's wedding... (then, after realizing he messed up his rehearsed lines, he fails to recover), ...on the day of your daughter's wedding. reproduced or sold. But drugs is a dirty business. That's a true story. Certainly he can -- present a bill for such services; after all -- we are not, ZALUCHI (after some laughter from the group, stands), I also don't believe in drugs. Now help me. I wanna hit New York sometime this. Uh, his business is narcotics. I'd also like to acknowledge Nathan Salmon who Neri motions to the chauffeur to move the car. The occupants look at Michael. Pauses to lean on railing as he smokes. I love you with all-a my heart! This document is copyright ©1972 Paramount Pictures. Here, I came here because I need you -- because I care for you --. Now, we insist. Aw --I don't know -- if Luca sold out we're in a lot of trouble, believe me. I got more important things for you to do. Kay carries Anthony out. DISSOLVE TO: Another section of the Sicilian countryside. McCluskey glances up again, CUT TO: Restroom, where Michael hesitates by the door, preparing himself as a train is, loudly heard passing close by, just before he goes back to the dining area. captain -- never. And you knew it was the right thing to do. [inaudible "Shit!" CUT TO: Church. See that scary guy over there? Don Cuneo's dead body. Senator Cauly apologized for not coming personally -- he said you'd understand. Tell me anything. Connie opens the door to the Don's office. Télécharger Partition Gratuite (Free Score) Musique de Films, BO, Série TV - Fou De Musique CUT TO: Motel room. The priest blesses Michael and Apollonia as they kneel at the church's entrance. MARIO PUZO'S And let me be even more. Let's set the meeting. Hey, hey, take me to the America, G.I.! She unwraps a boxed necklace], DISSOLVE TO: Vitelli's Cafe. He said he had some business. CUT TO: Hotel. They dance to "Ev'rytime I Look In Your Eyes", He's not on the list, but Luca Brasi wants to see you. That...[? The car in front of Sonny's seems to be having a problem moving and Sonny sounds his, [The toll-collector "drops" Sonny's change, and bends to pick it up, sliding the, booth's door shut. Why didn't you come to me first? And I meant no disrespect to you, or your daughter... [In Italian: Who is this? CONNIE (yelling, while getting out of the car), [Connie and Kay run out. Come on, you -- kill me. then to Apollonia, after she descends the steps and sits on the bench beside her mother. That's easy for you to say, Tom, he's not your father! He pauses, noticing there is no guard outside the Don's door. The phone rings, and Kay picks up. Sonny bites his knuckles], Sonny, please, it was my fault -- Sonny, it was my fault! -- There's some food in the icebox, you hungry or anything? [Rocco opens the door to let everyone leave.

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